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The palace is striking in the middle of Brighton, for its unique Indo-Islamic exterior. The fanciful interior design, primarily by Frederick Crace and the little-known decorative painter Robert Jones, was heavily influenced by both Chinese and Indian fashion (with Mughal and Islamic architectural elements).
Hermesvilla is a palace in the Lainzer Tiergarten in Vienna, a former hunting area for the Habsburg nobility. Emperor Franz Joseph I gave it to his wife Empress Elisabeth (nicknamed "Sisi"), and he called it the "castle of dreams.“ The name of the villa refers to a statue of Hermes made of white marble that is located in the garden of the villa.
The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior. Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the ...
The interior is decorated in the Rococo style, which was popular in the 17th and 18th centuries. [6] White and gold elements are used throughout the building. [7] The original color scheme of much of the interior is reportedly unknown, as surviving photos are in black and white. [8]
Hawksmoor also completed the interior design of the library, the ceilings of many of the state rooms and other details in numerous other minor rooms, and various outbuildings. [21] Cutting rates of pay to workmen, and using lower-quality materials in unobtrusive places, the widowed Duchess completed the great house as a tribute to her late husband.
The interior of the palace was designed by Khuan Chew, Design Principal of KCA International, whose other works include the Burj Al Arab in Dubai. Construction was handled by Ayala Abbott and Butters, a UK construction firm, and completed in 1984 at a total cost of around US$1.4 billion.
Italy was not immediately influenced by the Rococo, since by the early 18th century rich Italian landowners were still constructing their palaces in the conservative Baroque style, [1] but by the 1710s and 1720s, Italian architecture and interior design became more feminine and lighter. A Rococo room in the Palace of Caserta.
Fredrik Wilhelm Scholander was the royal curator of King Charles XV and shared his taste in interior design, this resulted in rooms like the Victoriasalongen (the Victoria Drawing room) in a lush, revived Rococo style. [39] King Oscar II performed a number of additions, improvements and modernizations to the palace.