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The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses.
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
25 Studies, Op. 60 is a set of etudes for the classical guitar, written by Matteo Carcassi. The etudes serve as a bridge between the elementary and advanced intermediate stages of the discipline, and are based on simple harmonic structures.
Étude Op. 25, No. 11, is a study of right hand dexterity and left hand flexibility. Each hand has intense challenges, ranging from brilliant runs and multi-octave leaps to tricky articulations which must be phrased correctly so the melody becomes audible. [4]
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