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Having a polka influence, the song features backup vocals by a children's choir and instrumental music by Ken Whiteley, in addition to having a tempo of 102 BPM, slower than the original. [5] ABC kids covered this song in 2010 along with Scott Alplin and Phil Barton, and posted it on YouTube in 2021.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The "catchy pop-rock" [7] song is a medium-tempo waltz performed in 3/4 time at a standard tempo of 102 bpm. [8] Play Me features broken chords played on the acoustic guitar, courtesy of Diamond's long-time collaborator Richard Bennett. [8]
A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute. Thus, some soul music (around 75–90 bpm) mixes well with a drum and bass beat (from 150 to 185 bpm).
SeeB's remix is a tropical house song, [9] and is written in the key of G minor in half time with a faster tempo of 102 beats per minute. [10] It follows a chord progression of Gm – F – E ♭ maj7 – B ♭ , and Posner's vocals span from B ♭ 2 to D 4 .
"Thousand" is a song by American electronica musician Moby. It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album.
"808" is the debut single by American R&B/pop girl group Blaque from their self-titled debut album. Released to radio and music video stations in early 1999, "808" became the group's first top-10 hit in the United States, peaking at number eight on the Billboard Hot 100 and reaching top five on the Billboard Hot R&B/Hip-Hop Singles chart.
Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for the 19th birthday of his son Maxim, who premiered the piece on 10 May 1957 during his graduation concert at the Moscow Conservatory.