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Wood-Block Printing, by F. Morley Fletcher, Illustrated by A. W. Seaby at Project Gutenberg; Block printing in India; Prints & People: A Social History of Printed Pictures, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on woodblock printing
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
Woodcut is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges. The areas to show 'white' are cut away with a knife or chisel, leaving the characters or image ...
A fragment of a dharani print in Sanskrit and Chinese, c. 650–670, Tang dynasty The Great Dharani Sutra, one of the world's oldest surviving woodblock prints, c. 704-751 The intricate frontispiece of the Diamond Sutra from Tang-dynasty China, 868 AD (British Museum), the earliest extant printed text bearing a date of printing Colophon to the Diamond Sutra dating the year of printing to 868
In Korea, printing has enabled the spread of knowledge that was previously exclusive to writers. [3] In 1232, during the Second Mongol Invasion of Korea, a 6,000-volume wooden board of the Tripitaka Koreana, carved in the early 12th century, was burned at the Buinsa in Daegu by nomadic Mongolians. For the tragic cultural and religious loss, the ...
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