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Saint Francis began to improvise hymns of praise as he wandered the hills behind Assisi, begging for stones to restore the church of San Damiano. [16] These developed into full hymns later. His Salutation to the Blessed Virgin Mary is a collection of greetings that form a litany of greetings to the Virgin Mary. [17]
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
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Celebration Hymnal: songs and hymns for worship, published by Word Music/Integrity Music (1997). [647] This is different from Celebration Hymnal for Everyone published by McCrimmon Publishing Co Ltd. (1994, 2005 with Supplement). Christian Life Hymnal, Hendrickson Publishers (2006) Favorite Hymns of Praise, Hope Publishing (1967)
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
The Little Office of the Blessed Virgin Mary, also known as Hours of the Virgin, is a liturgical devotion to the Blessed Virgin Mary, in imitation of, and usually in addition to, the Divine Office in the Catholic Church. It is a cycle of psalms, hymns, scripture and other readings. All of the daily variation occurs in Matins.
Calling Mary "our mother in the order of grace", Lumen gentium referred to Mary as a model for the Church and stated that: [57] By reason of the gift and role of divine maternity, by which she is united with her Son, the Redeemer, and with His singular graces and functions, the Blessed Virgin is also intimately united with the Church.
Church Music in the Nineteenth Century, in series, Studies in Church Music. New York: Oxford University Press, 1967. 166 p. Robin Sheldon, ed. In Spirit and in Truth: Exploring Directions in Music in Worship Today. London: Hodder & Stoughton, 1989. x, 198 p. ISBN 0-340-48715-1
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