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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
In motion picture formats, the physical size of the film area between the sprocket perforations determines the image's size. The universal standard (established by William Dickson and Thomas Edison in 1892) is a frame that is four perforations high. The film itself is 35 mm wide (1.38 in), but the area between the perforations is 24.89 mm × 18 ...
An image of N pixels height by M pixels wide can have any resolution less than N lines per picture height, or N TV lines. But when the pixel counts are referred to as "resolution", the convention is to describe the pixel resolution with the set of two positive integer numbers, where the first number is the number of pixel columns (width) and ...
A blank space means that manufacturer did not make film in that size. Two numbers in one box refers to films available with different numbers of exposures, usually 6 and either 10 or 12. Spool length is measured between inner faces of the flanges; several films of the same image size were available on different spools to fit different cameras.
Although the most common medium format film, the 120 roll, is 6 cm (2.4 in) wide, and is most commonly shot square, the most common "medium-format" digital sensor sizes are approximately 48 mm × 36 mm (1.9 in × 1.4 in), which is roughly twice the size of a full-frame DSLR sensor format.
Frame number markings for three standard image formats (6×4.5, 6×6, and 6×9 [4:3, 1:1, and 2:3 aspect ratios]; see below) are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll.
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