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A typical four-point lighting setup. The addition of a fourth light, the background light, makes for a four-point lighting setup. The background light is placed behind the subject(s), on a high grid, or low to the ground. Unlike the other three lights, which illuminate foreground elements like actors and props, it illuminates background ...
A typical three-point setup with a shoulder or back-side lamp to create contrast between the background and center object so as to give a three-dimensional appearance. The key light is the first and usually most important light that a photographer, cinematographer, lighting cameraman, or other scene composer will use in a lighting setup.
The terminology comes from the higher balance in the ratio between the key light and the fill light in a traditional three-point lighting setup. [ 1 ] In the 1950s and 1960s, high-key lighting was achieved through multiple light sources lighting a scene—usually using three fixtures per person (left, right, and central)—which resulted in a ...
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
Many lighting setups follow a three-point lighting or four-point lighting setup. Four-point lighting is the same as three-point lighting with the addition of a background light. [2] In a four-point lighting, the background light is placed last and is usually placed directly behind the subject and pointed at the background.
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The typical Rembrandt lighting setup. Normally, the key light is placed high and to one side at the front, and the fill light or a reflector is placed half-height and on the other side at the front, set to about half the power of the key light, with the subject, if facing at an angle to the camera, with the key light illuminating the far side of the face.
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