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Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs , and small statuettes and figurines , as well as bronze elements to be fitted to other objects such as furniture.
This is a list of sculptors – notable people known for three-dimensional artistic creations, which may include those who use sound and light. It is incomplete and you can help by expanding it. It is incomplete and you can help by expanding it.
Bronze National Museum of Art, Architecture and Design, Oslo 83.5 x 85 More images: Balzac in the Robe of a Dominican Monk: 1892 Bronze Museo Soumaya, Mexico City 106.4 × 38.5 × 50.8 More images: Monument to Balzac: 1892 to 1897 Bronze Musée Rodin 270 x 120.5 More images: Youth Triumphant: 1894 Bronze Portland Museum of Art 52.1 More images ...
The world's largest bronze sculpture of modern times stood between the Twin Towers on the Austin J. Tobin Plaza of the World Trade Center in New York City from 1972 until the September 11 attacks. The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers.
David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance, and the first freestanding nude male
Leonardo da Vinci's study in silverpoint for The Horse, c. 1488 [1] Study in silverpoint for the monument (abandoned design), c. 1490 [2]. Leonardo's Horse (also known as the Sforza Horse or the Gran Cavallo ("Great Horse") ) is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed.
The Capitoline Wolf (Italian: Lupa Capitolina) is a bronze sculpture depicting a scene from the legend of the founding of Rome.The sculpture shows a she-wolf suckling the mythical twin founders of Rome, Romulus and Remus.
Attributions of such spectacular works of art to famous sculptors have followed traditional lines: "all the 'big' names of Classical times have been proposed in this connection", Brunilde Sismondo Ridgway writes, noting that she finds it encouraging that at least a few scholars are willing to consider a non-Attic, even a 'colonial' workshop of ...
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