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As the examples show, iambic pentameter need not consist entirely of iambs, nor need it have ten syllables. Most poets who have a great facility for iambic pentameter frequently vary the rhythm of their poetry as Donne and Shakespeare do in the examples, both to create a more interesting overall rhythm and to highlight important thematic elements.
In Slovenia the sonnet became a national verse form, using iambic pentameter with feminine rhymes, based both on the Italian endecasillabo and German iambic pentameter. [156] The greatest Slovenian poet, France Prešeren , [ 157 ] wrote several sonnet sequences from 1831 onwards and is particularly known for his crown of sonnets , Sonetni venec ...
The English sonnet has three quatrains, ... The 7th line exemplifies a regular iambic pentameter: ... For example, line 5 is capable of both an initial and a mid-line ...
The 1st line exemplifies a regular iambic pentameter: × / × / × / × / × / Those lines that I before have writ do lie, (115.1) This sonnet contains examples of all three metrical variations typically found in literary iambic pentameter of the period. Lines 2 and 4 feature a final extrametrical syllable or feminine ending:
The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter:
An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of ...
This type of sonnet consists of three quatrains followed by a couplet, and follows the form's rhyme scheme: abab cdcd efef gg. The sonnet is written in iambic pentameter, a type of metre based on five pairs of metrically weak/strong syllabic positions per line, as exemplified in line five (where "heavenly" is contracted to two syllables):
While frequently the rhythm of iambic pentameter lines arises from the implicit emphasis of its words, this sonnet affords several examples of the implicit emphasis of words arising from the meter. For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that ...