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In contrast to Direct-to-garment (DTG) printing, in which designs are printed directly onto the garments, DTF employs a two-step process. [citation needed] The fist step in the Direct-to-film (DTF) printing method involves initially printing the design onto a PET (Polyethylene Terephthalate) film and then applying an adhesive powder to the printed film.
The term was later also applied to the indirect sublimation transfer printing process, which uses a standard ink-jet printer to deposit sublimation-capable ink onto a transfer sheet. The printed transfer sheet is then pressed with the substrate with heat, transferring the dye to the substrate, such as plastic or fabric, via sublimation.
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
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The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape (or directly to a digital file). [1] The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems (e.g., Final Cut Pro, Avid, etc.).
In 1975, the US dye transfer plant was closed and Technicolor became an Eastman-only processor. In 1977, the final dye-transfer printer left in Rome was used by Dario Argento to make prints for his horror film Suspiria. [32] Technicolor's lab in Paris closed in 1958, as it was facing 450 million francs in debt. [33]
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