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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
Unity of opposites" allows for a balance of contradiction. A most basic example of the cycle of contradiction is life and death. There are contradictions that can be found in mechanics, mathematics, science, social life, etc. [ 10 ] Deborin claims that there is only difference found in the world.
Lenin's notes on dialectics played an influential role in Soviet and Chinese studies on contradiction and the unity of opposites. The Notebooks are often contrasted by scholars with Lenin's Materialism and Empirio-criticism .
Lenin develops these in a further series of notes, and appears to argue that "the transition of quantity into quality and vice versa" is an example of the unity and opposition of opposites expressed tentatively as "not only the unity of opposites but the transitions of every determination, quality, feature, side, property into every other [into ...
In carnival, "opposites come together, look at one another, are reflected in one another, know and understand one another." [ 30 ] Bakhtin sees carnivalization in this sense as a basic principle of Dostoevsky's art: love and hate, faith and atheism, loftiness and degradation, love of life and self-destruction, purity and vice, etc. "everything ...
Several fragments seem to relate to the unity of opposites. [45] For example: "The straight and the crooked path of the fuller's comb is one and the same"; [af] "The way up is the way down"; [ag] "Beginning and end, on a circle's circumference, are common"; [ah] and "Thou shouldst unite things whole and things not whole, that which tends to ...
Enantiodromia (Ancient Greek: ἐναντίος, romanized: enantios – "opposite" and δρόμος, dromos – "running course") is a principle introduced in the West by psychiatrist Carl Jung. In Psychological Types, Jung defines enantiodromia as "the emergence of the unconscious opposite in the course of time."