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This appearance is such a fundamental aspect of the character that when the 2004 animated series The Batman placed the Joker in a straitjacket, it quickly redesigned him in his familiar suit. [115] The Joker is obsessed with Batman, the pair representing a yin-yang of opposing dark and light force, although it is the Joker who represents humor ...
Joker: Folie à Deux has shocked and divided fans over its layered plot twists — and that explosive ending. The highly anticipated sequel to 2019’s Joker officially hit theaters on Friday ...
Joker: Folie à Deux, which costars Brendan Gleeson, Leigh Gill, Zazie Beetz, Sharon Washington and Steve Coogan, is in theaters now. For more People news, make sure to sign up for our newsletter ...
The first design of the Jokermobile from Batman #37 (October 1946), art by Jerry Robinson.. The Jokermobile made its comic book debut in Batman #37 (October 1946), [1] in which Joker was fed up with Batman's superior gadgetry that played a role in foiling his criminal plots and so decided to build a series of Joker-themed gadgets, like the Jokermobile, for example, his own themed vehicle ...
The Batsuit (or Bat-Suit) is the costume of DC Comics's fictional superhero Batman, who appears in their American comic books.The suit has been depicted in various artistic iterations, and the stories themselves have described Batman as modifying the details of his costume from time to time typically using military and SWAT standards materials and technology that evolved into an advanced ...
Either way, Folie à Deux signals the dawn of a new era for the real Joker who killed Arthur, while our anti-hero ended up as but a mere societal outcast, a jester for humiliation the whole time.
The Joker is a comic book series published by DC Comics starring the supervillain the Joker.It ran for nine issues from May–June 1975 to September–October 1976, with a tenth previously unpublished issue released in October 2019.
Outside of virtually confirming that Arthur won't return to terrorize Gotham again, the Joker: Folie à Deux ending also sums up the two-film series' central thesis: Arthur is no hero, villain ...