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One method noted for its use of xylophones is Orff-Schulwerk, which combines the use of instruments, movement, singing and speech to develop children's musical abilities. [27] Xylophones used in American general music classrooms are smaller, at about 1 + 1 ⁄ 2 octaves, than the 2 + 1 ⁄ 2 or more octave range of performance xylophones. The ...
Gassenhauer nach Hans Neusiedler (1536), commonly known as Gassenhauer [1] (pronounced [ˈɡasn̩ˌhaʊ̯ɐ]), is a short piece from Orff Schulwerk, developed during the 1920s by Carl Orff with long-time collaborator Gunild Keetman.
Keetman’s works are written for the characteristic “Orff instruments.” This includes the glockenspiel, xylophone, metallophone, recorder, and body percussion. The Music for Children volumes are designed to layer all of these instruments, one step at a time, eventually creating a polyphonic ensemble piece to be performed. [14]
The Orff Approach of music education uses very rudimentary forms of everyday activity for the purpose of music creation by music students. The Orff Approach is a "child-centered way of learning" music education that treats music as a basic system like language and believes that just as every child can learn language without formal instruction so can every child learn music by a gentle and ...
Carl Heinrich Maria Orff was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist.
Much like the bass drum, the concert toms are meant to add color and shading to orchestral music. However, it can also be used much like the snare drum. In fact, the snare drum can have the snare off, producing a high tom sound. Depending on the composer and/or music, the concert tom can be used as both.
Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana.Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").
In the score of Prometheus, the four pianos and the xylophones, which in the traditional orchestra were only given marginal tasks, take on the role that the string body had in the orchestration of Viennese classical music. On the other hand, the basic instruments of the traditional European symphony orchestra – such as flutes, oboes, trumpets ...
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