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Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries. Its subjects were of the courtesans, kabuki actors, and others associated with the ukiyo hedonistic "floating world" lifestyle of the pleasure districts. Mass-produced woodblock prints were a major form of the genre. [1]
However, from the middle of the Edo period, products with high artistic value appeared and became popular as male accessories. Especially samurai and wealthy merchants competed to buy inro of high artistic value. At the end of the Edo period, the artistic value of inro further increased and it came to be regarded as an art collection. [68] [69]
The Utagawa school came to dominate ukiyo-e output in the late Edo period. [69] Edo was the primary centre of ukiyo-e production throughout the Edo period. Another major centre developed in the Kamigata region of areas in and around Kyoto and Osaka. In contrast to the range of subjects in the Edo prints, those of Kamigata tended to be portraits ...
Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603 ...
Many of the older schools of art, most notably those of the Edo and prewar periods, were still practiced. For example, the decorative naturalism of the rimpa school, characterized by brilliant, pure colors and bleeding washes, was reflected in the work of many artists of the postwar period in the 1980s art of Hikosaka Naoyoshi.
The cultural developments of the times, including kabuki, bunraku, and ukiyo-e, and practices like sankin kōtai and pilgrimages to the Ise Shrine, feature in many works set in Edo Japan. Many popular works written during or following the Edo period were also set during the same period. Kabuki plays in contemporary settings were known as sewamono.
One Hundred Famous Views of Edo (in Japanese: 名所江戸百景, romanized: Meisho Edo Hyakkei) is a series of 119 ukiyo-e prints begun and largely completed by the Japanese artist Hiroshige (1797–1858). The prints were first published in serialized form in 1856–59, with Hiroshige II completing the series after Hiroshige's death. It was ...
Over the course of the Edo period, as ukiyo-e as a whole developed and changed as a genre, yakusha-e went through a number of changes as well. Many prints, particularly earlier ones, depict actors generically, and very plainly, showing in a sense their true natures as actors merely playing at roles.