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Figure in a Room by Frank Weston Benson, 1912, oil on canvas - New Britain Museum of American Art Interior, oil 1912, copy. Benson's Figure in a Room, a 1912 realistic oil painting of a woman standing behind a small table in a room, was involved in a controversy that surfaced long after the death of the artist. [28]
Davenport & Co. made the twin dining tables, 50 side chairs, 6 armchairs and 3 serving tables for the room. Many of the side chairs, now upholstered in ivory, are still in use. A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm.
The current painting, created in 1913, depicts the dining room of his country house. On the canvas he presents cats sitting on chairs, and Martha, his wife, leaning on a windowsill. A large table, with a white towel, appears in the foreground, while a arms chair appears to the right, and another one is partially seen at the left.
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
In the Dining Room is an oil-on-canvas painting by the French impressionist artist Berthe Morisot, created in 1886. It shows a young woman in the center of the domestic environment of a dining room. The painting is in the collection of the National Gallery of Art, in Washington, D.C. [1]
The brass detailing on the x-frame and the feet of this dining chair add a subtle yet refined Art Deco touch. The blue velvet complements it nicely and adds its own kind of sophistication, perfect ...
The table is triangular and measures 48 feet (14.63 m) on each side. [2] There are 13 place settings on each of the table's sides, making 39 in all. Wing I honors women from Prehistory to the Roman Empire, Wing II honors women from the beginnings of Christianity to the Reformation and Wing III from the American Revolution to feminism. [2]
The red of the tablecloth and walls are the same color, making the surface appear unified, but surrounding objects convey a sense of depth. For instance, the chair appearing behind the table gives context to the presence of a table. There is a faint line that runs between the table and the wall, providing a further hint of three-dimensional ...
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