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Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
Afro-Colombian youth playing the marimba de chonta. In Colombia the most widespread marimba is the marimba de chonta (peach-palm marimba). Marimba music has been listed on UNESCO as an intangible part of Colombian culture. [10] In recent times marimberos (marimba players) and the marimba genres as a whole have started to fade out in popularity. [8]
Music for Mallet Instruments, Voices and Organ is a 1973 composition by American composer Steve Reich. The piece is scored for glockenspiels , marimbas , metallophone ( vibraphone without resonator fans), women's voices, and organ , and runs about 17 minutes.
Mallet Quartet is a composition by Steve Reich scored for two marimbas and two vibraphones, or for four marimbas. It was co-commissioned by the Amadinda Quartet in Budapest , on the occasion of its 25th anniversary, by Nexus in Toronto, So Percussion in New York, and Synergy Percussion in Australia.
Edward L. Mann (January 14, 1955 – May 31, 2024) was an American musician best known for his mallet percussion performances onstage with Frank Zappa's ensemble from 1977 to 1988, and his appearances on over 30 of Zappa's albums, both studio recordings and with Zappa's band live.
Dave Samuels at Aarhus Jazz Festival (Denmark 2009) David Alan Samuels (October 9, 1948 – April 22, 2019) [1] was an American vibraphone and marimba player who spent many years with the contemporary jazz group Spyro Gyra.
' sound of wood ') is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale , whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.