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Eiji Tsuburaya, the "Father of Tokusatsu" and co-creator of the Godzilla series, as well as the main creator of the Ultra series.. A special effects supervisor, also referred to as a special effects director, special effects coordinator or SFX supervisor, is an individual who works on a commercial, theater, television or film set creating special effects.
A production coordinator is a position in film, television or video production. In Los Angeles, it is called production office coordinator and abbreviated POC , and is a unionized position under the International Alliance of Theatrical Stage Employees (IATSE) and is governed by Local 871. [ 1 ]
In television, the executive producer credit is often applied to individuals who are involved with the production in a hands-on capacity; an executive producer usually supervises the creative content, plans and schedules the filming with the producer and team, and may be involved in the financial budgeting of a production.
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
Production is generally not considered a department as such, but rather as a series of functional groups. These include the film's producers and executive producers and production office staff such as the production manager, the production coordinator, and their assistants; the various assistant directors; the accounting staff and sometimes the locations manager and their assistants.
A writer may be involved, to varied degrees, with creative aspects of production. Stunt coordinator: Where the film requires a stunt, and involves the use of stunt performers, the stunt coordinator will arrange the casting and performance of the stunt, working closely with the director.
Most commonly, the AAD has two broad job functions. One is the contraction of the duties of an AD where the AD acts as both second AD and third AD simultaneously. For example, a production with many cast may pass the 2AD call sheet production work to that of the AAD, especially when the 2AD is already performing the additional work of a third AD.
Set PAs in commercials are more commonly hired by the production coordinator and/or production manager as opposed to an AD or key set PA. However, many commercial ADs will also perform this responsibility. Standard rate for a commercial PA in the Los Angeles area is a flat rate of $200 per day. On February 1, 2008, benefits for qualifying ...
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