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The theory is that the bad quarto is a memorial reconstruction of Hamlet, made by some of its actors: so where there are unintentional echoes of Othello in the bad quarto (for example "to my vnfolding / Lend thy listning eare" [40] in the bad quarto and "To my unfolding lend your prosperous ear" [41] in Othello – and a number of others) it ...
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The second act takes place on the island of Cyprus, within the world of Othello. During the scene where Othello resolves to kill his wife, Constance intervenes and reveals that Iago is tricking Othello. Othello binds Iago and expresses his gratitude to Constance. Desdemona arrives and asks whether Constance may stay with them.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Othello study guide, themes, quotes, multimedia, and teacher resources; Othello Act and scene wise summary & quotes, analysis, characters, topic discussions. Othello Archived 15 July 2020 at the Wayback Machine at the British Library; Othello—Annotated text aligned to Common Core standards.
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo , who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona.
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He wrote a stunning review, [1] followed by several others applauding (but sometimes censuring) [2] Kean's performances in other Shakespearean tragedies, including King Richard II, King Richard III, Hamlet, Macbeth, Romeo and Juliet, and, what Hazlitt considered the best of Kean's performances, Othello. [3]