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The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...
A preparatory sketch for the engraving; see also this sketch.. Melencolia I has been the subject of more scholarship than probably any other print. As the art historian Campbell Dodgson wrote in 1926, "The literature on Melancholia is more extensive than that on any other engraving by Dürer: that statement would probably remain true if the last two words were omitted."
Young Hare (German: Feldhase) is a 1502 watercolour and bodycolour painting by German artist Albrecht Dürer.Painted in 1502 in his workshop, it is acknowledged as a masterpiece of observational art alongside his Great Piece of Turf from the following year.
Technique Dimensions Bartsch; Сonversion of Paul: 1494: Copper engraving: 295 × 217 mm: Young Woman Attacked by Death; or The Ravisher: 1495–1495: Copper engraving: 110 × 92 mm: B92 The Great Courier: 1494–1495: Copper engraving: 100 × 115 mm: The Holy Family with the Dragonfly: 1495: Copper engraving: 151 × 140 mm: B44 The Ill ...
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.
The drawing also once contained a sketch of the apostle's head, but the sheet with the head has been separated from it. Overall, Dürer made 18 sketches for the altarpiece . [ 2 ] The first public recognition of the artwork was in 1871 when it was exhibited in Vienna, and the image is said to depict the hands of Dürer's brother, one of ...
Pen drawing in Indian ink and watercolor on paper. Head of a Walrus (German: Kopf eines Walrosses) is a 1521 pen drawing painted in watercolour by the German artist Albrecht Dürer, now in the British Museum, London. [1] At the time the walrus' main European population was around Scandinavia, and they were exotic to inland Europeans.
In particular, Oudry's painting was the inspiration for a plate in Buffon's encyclopedic Histoire naturelle, which was widely copied. [42] In 1790, James Bruce 's travelogue Travels to discover the source of the Nile dismissed Dürer's work as "wonderfully ill-executed in all its parts" and "the origin of all the monstrous forms under which ...
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