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Oedipus Rex is widely regarded as one of the greatest plays, stories, and tragedies ever written. [21] [22] In 2015, when The Guardian ' s theatre critic Michael Billington, selected what he thinks are the 101 greatest plays ever written, Oedipus Rex was placed second, just after The Persians. [23]
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
Oedipus rex is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus.The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
Oedipus the King is a 1968 British film adaptation of the Sophoclean tragedy Oedipus Rex, directed and co-written by Philip Saville.It stars Christopher Plummer as the title character, Orson Welles as Tiresias, Lilli Palmer as Jocasta, Richard Johnson as Creon and Donald Sutherland as the leading member of the Chorus, though the latter's voice was dubbed by Valentine Dyall.
Oedipus is a fabula crepidata (Roman tragic play with Greek subject) of c. 1061 lines of verse that was written by Lucius Annaeus Seneca at some time during the 1st century AD. It is a retelling of the story of Oedipus, which is better known through the play Oedipus Rex by the Athenian playwright, Sophocles. It is written in Latin.
Oedipus Rex (Edipo re) is a 1967 Italian film directed by Pier Paolo Pasolini. [1] Pasolini adapted the screenplay from the Greek tragedy Oedipus Rex written by Sophocles in 428 BC. The film was mainly shot in Morocco. It was presented in competition at the 28th Venice International Film Festival.
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Oedipus gradually established an image of superior intelligence. The Oedipodea may be a reference for the Oedipus Rex. The evolution of the image of Oedipus and Sphinx also reflects the face of Greek society at that time. To say, in the era of tragedy, civil society may put forward higher demands on the knowledge of the king rather than the force.