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Many Islamic designs are built on squares and circles, typically repeated, overlapped and interlaced to form intricate and complex patterns. [1] A recurring motif is the 8-pointed star, often seen in Islamic tilework; it is made of two squares, one rotated 45 degrees with respect to the other.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Design for a Cup for Jane Seymour, Hans Holbein the Younger, 1536, with zones in both Islamic-derived arabesques or moresques, and classically derived acanthus volutes Arabesque or moresque ornament print, by Peter Flötner (d. 1546)
The Islamic prohibition on certain images encouraged batik design to become more abstract and intricate. Realistic depictions of animals and humans are rare on traditional batik. However, mythical serpents, humans with exaggerated features and the Garuda of pre-Islamic mythology are common motifs.
[33] [6]: 21 In Islamic art, the most important types of tessellation in geometric motifs are based on regular polygons. [33] This form of expression within the conceptual framework of Islamic art valued the creation of spatial decorations that avoided depictions of living things, consistent with taboos of aniconism in Islam on such depictions ...
There would have been no practical need for a girih pattern with more than two levels of design, as a third level would be either too large or too small to be perceived. It appears that medieval Islamic artisans were using a tool that had the potential of creating highly complex patterns, but they never realized it. As E. Makovicky argues, [24]
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. [2] [3] It is known in Arabic as khatt Arabi (خط عربي), which translates into Arabic line, design, or construction. [4]
It is characterized by the recurrent motifs present in Islamic art, such as the use of geometrical floral or vegetal forms in a repetitive design known as an arabesque. The arabesque is often used to symbolize the transcendent, indivisible and infinite nature of God, [ 3 ] and as with other patterns and forms of Islamic art, the shamsa also has ...
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