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Northern Italy was a leading center of Renaissance music, which broadly covered the 15th and 16th centuries of Europe. [4] Regional courts, ruled by competing families—such as the Este, Gonzaga, and Medici—patronized secular music immensely, commissioning compositions and forming large ensembles. [5]
Landini's name was attached to his characteristic "Landini cadence" in which the final note of the melody dips down two notes before returning, such as C–B–A–C. Trecento music influenced northern musicians such as Johannes Ciconia, whose synthesis of the French and Italian styles presaged the "international" music typical of the Renaissance.
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Mazzuoli was born in Florence and probably trained on organ by his father Niccolò, who was organist at the church of Orsanmichele until 1376. Giovanni was given this position in 1379, which he held until 1412; he also held organist positions at S. Felicita (1385–1390) and Florence Cathedral (1390–1426).
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Pietro Vinci (c. 1525 [1] – after 14 June 1584 [2]) was an Italian composer of late Renaissance music. Vinci was born in Nicosia. [3] He was active in Bergamo and then in various Sicilian cities as Maestro di cappella. He published several books of madrigals and church music from 1561 to 1584.
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