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"Little Red Corvette" is written in the key of D ♭ major [12] and moves at a tempo of 123 beats per minute in common time. Prince's vocals span from A ♭ 2 to D ♭ 7 in the song. [13] The lyrics use car imagery as a double entendre for sex, [14] also making use of horse-related imagery for similar purposes. [5]
"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a mid-1983 re-release later reached number 12 in the US, while a January 1985 rerelease, a double A-side with "Little Red Corvette", later peaked at number 2 in the UK.
The album's opening title track, "1999", was also its first single and initially peaked at No. 44 on the US Billboard Hot 100.[14] [15] It was subsequently re-released following the huge success of its follow-up single and 1999 ' s second track, "Little Red Corvette", which peaked at No. 6 on the US Billboard Hot 100 (like other Prince songs, it again charted after his death, reaching No. 3). [16]
"Delirious" is a song by American musician Prince, from his fifth studio album album, 1999 (1982). It was the album's third single, and Prince's second Top 10 hit, reaching No. 8 in the US during the fall of 1983.
Common to much of Prince's writing, the song is thought to be exhortation to follow Christian ethics, with the "De-elevator" of the lyrics being a metaphor for the Devil. [ 21 ] A power ballad and a combination of rock , R&B , gospel , and orchestral music, "Purple Rain" reached number 2 on the Billboard Hot 100 and stayed there for two weeks ...
Jill Jones (born July 11, 1962) is an American singer, songwriter, and actress, who performed as a backing vocalist for Teena Marie and Prince in the 1980s. She is best known for her various collaborative works with Prince in the 1980s and 1990s, including her self-titled debut album in 1987.
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The UK CD single was released as a two separate discs which fit in a double jewel case that was included with the first disc. Both discs had different picture sleeves and different contents, other than a "radio edit" of "The Holy River" and edit of "Somebody's Somebody" (also from Emancipation).