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spec script. Also speculative screenplay. A non-commissioned and unsolicited screenplay or film treatment, i.e. one that is written of a screenwriter 's own accord, usually with the intention of having the script optioned and eventually purchased by a producer, production company, or film studio. split edit split screen special effect
A dissolve from The Stranger, directed by Orson Welles, used to indicate a transition in time and place. Cuts and dissolves are used differently. A camera cut changes the perspective from which a scene is portrayed. It is as if the viewer suddenly and instantly moved to a different place, and could see the scene from another angle.
A dissolve (see above) for example, most commonly reveals a passage of time when used within an ongoing scene. The dissolve, by tradition, serves to include intervening time and action. If however, a dissolve rather than a cut is used in a continuing uninterrupted action, its unconventional placement carries psychological implications.
Though a spec script is usually a wholly original work, it can also be an adaptation. In television writing, a spec script is a sample teleplay written to demonstrate the writer's knowledge of a show and ability to imitate its style and conventions. It is submitted to the show's producers in hopes of being hired to write future episodes of the ...
For example, the EDL will change the 8th character of the reel name to the letter B. However, sometimes editors will (confusingly) use the letter B to designate time code breaks on a video tape. If there is broken time code on a video tape, there will be two (or more) instances of a particular time code on the video tape.
Another early example is Orson Welles's Citizen Kane (1941), which opens with a series of match dissolves that keeps the titular character's lit window in the same part of the frame while the cuts take viewers around his dilapidated Xanadu estate, before a final match dissolve takes viewers from the outside to the inside where Kane is dying. [9]
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The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. [1]