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Pearl Jam Twenty (also known as PJ20) is a 2011 American documentary directed by Cameron Crowe about the band Pearl Jam. Preliminary footage was being shot as of June 2010. [ 2 ] Crowe completed filming in April 2011, after using 12,000 hours of footage of the band for the documentary. [ 3 ]
Most of Matt Dillon's wardrobe in the movie actually belonged to Pearl Jam bassist Jeff Ament. [5] During the making of the film, Ament produced a list of song titles for the fictional band, Citizen Dick. Chris Cornell took it as a challenge to write songs for the film using those titles, and "Spoonman" was one of them.
Let's Play Two is a live album and concert film by American alternative rock band Pearl Jam. The album was released on September 29, 2017, with the concert film being released on November 17, 2017. [2] [3] The footage and songs were recorded at the band's shows at Wrigley Field during their 2016 tour. [4]
"State of Love and Trust" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music co-written by guitarist Mike McCready and bassist Jeff Ament, "State of Love and Trust" first appeared on the soundtrack to the 1992 film, Singles.
"Even Flow" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, it was released in 1992 as the second single from the band's debut album, Ten (1991).
[9] Barry Walters of Rolling Stone said that "the star is the film's end-titles' closer, Pearl Jam's "Man of the Hour", which captures the darkness of Big Fish ' s central Oedipal conflict." [ 10 ] In the director's commentary for the DVD release of Big Fish , director Tim Burton raves about the song, calling it "beautiful" and "so right" and ...
Instead, Pearl Jam closed their segment with “Yellow Ledbetter” after explaining why the fan-favorite B-side didn’t make the cut for the band’s seminal 1991 debut, Ten.
Singles is the soundtrack album of the 1992 film Singles, released on June 30, 1992, almost three months before the film.It is primarily focused on the ascendant Seattle grunge scene of the early 1990s, but also features contributions from past Seattle artists Jimi Hendrix and The Lovemongers (Heart's Ann and Nancy Wilson, the latter of whom was the wife of the film's director Cameron Crowe at ...
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