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Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and ...
Polynesian tattooing. Wikimedia Commons has media related to Tattoos in Polynesia.
As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy.
Marquesan tattoos can be recognized by 'trademark symbols', such as geckos, centipedes, Ti'i's, the Marquesan Cross (which is also commonly confused with other designs) and other geometric designs. Marquesan designs distinguish themselves through the use of symbols and consistent artistic renderings of lines, arches and circles, which are ...
Toi moko. Toi moko, formally known as mokomokai, are the preserved heads of Māori, the indigenous people of New Zealand, where the faces have been decorated by tā moko tattooing. They became valuable trade items during the Musket Wars of the early 19th century. Many toi moko were taken from their family and homeland as trophies.
Tattooing was an expensive and painful process and by the late 1880s had become a mark of wealth for the crowned heads of Europe. [137] In 1891, New York City tattooer Samuel O'Reilly patented the first electric tattoo machine, a modification of Thomas Edison 's electric pen. Nora Hildebrandt.
Like in other Polynesian islands, tattoos and body paintings had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy.
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