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Guimard's early Art Nouveau work, particularly the Castel Beranger, as Guimard himself acknowledged, was strongly influenced by the work of the Belgian architect Victor Horta, especially the Hotel Tassel, which Guimard visited before he designed the Castel Beranger. Like Horta, he created original designs and ornament, inspired by his own views ...
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
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Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
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Victor Horta was born in Ghent, Belgium, on 6 January 1861.His father was a master shoemaker, who, as Horta recalled, considered craftsmanship a high form of art. The young Horta began by studying music at the Royal Conservatory of Ghent.