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This article argues that the Star of Bethlehem is a historical fiction influenced by the appearance of Halley's Comet in AD 66. Larson, Frederick A. What Was the Star? Nicholl, Colin R., The Great Christ Comet: Revealing the True Star of Bethlehem Archived 2016-10-19 at the Wayback Machine. Crossway, 2015. ISBN 978-1-4335-4213-8
Adger M. Pace (August 13, 1882 - February 12, 1959) was an American hymn writer, music performer and teacher. He (co-)wrote close to 4,000 Southern gospel shape note songs, including Jesus Is All I Need, My Father Answers Prayers, Beautiful Star of Bethlehem, and Peace, Sweet Peace.
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
In 1887, Burne-Jones revisited his tapestry design as a full-scale painting titled The Star of Bethlehem. The colour palette with its rich blue-greens differs greatly from both the original watercolour modello and the Morris tapestry, and its large size allowed him to add a wealth of fine detail not possible in the tapestry version, especially ...
Moravian stars in the Striezelmarkt in Dresden A Moravian star half assembled A completed Moravian star hanging by a church. A Moravian star (German: Herrnhuter Stern) is an illuminated decoration used during the Christian liturgical seasons of Advent, Christmas, and Epiphany representing the Star of Bethlehem pointing towards the infant Jesus. [1]
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Articles relating to the Star of Bethlehem, a star initially described by the Gospel of Matthew as part of the Nativity of Jesus narrative. Pages in category "Star of Bethlehem" The following 13 pages are in this category, out of 13 total.
The Star of Bethlehem is a painting in watercolour by Sir Edward Burne-Jones depicting the Adoration of the Magi with an angel holding the star of Bethlehem.It was commissioned by the Corporation of the City of Birmingham for its new Museum and Art Gallery in 1887, [1] two years after Burne-Jones was elected Honorary President of the Royal Birmingham Society of Artists.