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The theater was also home to the Los Angeles production of The Phantom of the Opera which ran at the theater from 1989 to 1993. It opened with the original London and Broadway Phantom Michael Crawford as the Phantom. He was later replaced with actor Robert Guillaume, and then Davis Gaines.
The Hollywood Pantages Theatre, also known as the Pantages is a premiere live theater venue in Hollywood, Los Angeles, California. Productions at the Pantages have included: [ 1 ] [ 2 ] Pre-1996
Hollywood Pantages Theatre, the last theater built in the Pantages Theatre Circuit and also the last movie palace built in Hollywood, was built by Alexander Pantages in 1929 and opened on June 4, 1930. The theater was designed to seat 3,212, but it opened with extra legroom and wider seats, reducing seating capacity to 2,812. [4]
During its first decades the theatre was rarely used, and it was used as a barracks during World War II. In the late 1940s a San Francisco producer brought touring shows to the venue. In 1952 (and for the next 23 years) James A. Doolittle, a Los Angeles dance impresario, leased the theatre and upgraded it with better seating and backstage ...
This Los Angeles Theatre was constructed in late 1930 and early 1931. It was commissioned by H.L. Gumbiner, an independent film exhibitor from Chicago, [3] who also built the nearby Tower Theatre. [4] Designed by S. Charles Lee, [5] and Samuel Tilden Norton, the theater features a French Baroque interior.
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The Mark Taper Forum opened in 1967 as part of the Los Angeles Music Center, the West Coast equivalent of Lincoln Center, designed by Los Angeles architect Welton Becket and Associates. Peter Kiewit and Sons (now Kiewit Corporation) was the builder. [1] The dedication took place on April 9, 1967, at an event attended by Governor Ronald Reagan. [2]
Los Angeles's Broadway Theater District stretches for six blocks from Third to Ninth Streets along South Broadway in Downtown Los Angeles, and contains twelve movie theaters built between 1910 and 1931. In 1986, Los Angeles Times columnist Jack Smith called the district "the only large concentration of vintage movie theaters left in America." [4]