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From 1983 to 1988, Bare hosted Bobby Bare and Friends on The Nashville Network which featured him interviewing songwriters who sang their hit songs on the show. In 1985, Bare signed with EMI America Records where he scored three low-charting singles. In 1998, he formed the band Old Dogs, with Jerry Reed, Mel Tillis and Waylon Jennings. As of ...
(Rosanne Cash with Bobby Bare) 1979 17: 38 Right or Wrong "We Love the Same Girl" (John Brack with Bobby Bare) [27] 1987 — — Hard Times "Simple Goodbye" (John Brack with Bobby Bare) [28] 1990 — — Face to Face "—" denotes a recording that did not chart or was not released in that territory.
"The Winner" Kris Kristofferson: 4:58: 6. "Queen of the Silver Dollar" Sarah Jarosz, Black Prairie: 5:02: 7. "Daddy What If [4] " Isabella Bare, Bobby Bare, Jr. 2:58: 8. "The Cover of the Rolling Stone" Black Francis, Joey Santiago: 3:36: 9. "Sylvia's Mother" The Boxmasters: 3:16: 10. "Me & Jimmy Rodgers" Ray Price: 3:53: 11. "A Boy Named Sue ...
Bare was born in Nashville, Tennessee, the son of singer Jeannie Bare (née Sterling) and country musician Bobby Bare, Sr. [3] His parents met in 1963, when his father hired Bare's mother to join his act as a singer. [4] Bare's mother, Jeannie, was a shopkeeper in Nashville. [5] Bare has a younger brother, Shannon, and a younger sister, Angela.
It should only contain pages that are Bobby Bare songs or lists of Bobby Bare songs, as well as subcategories containing those things (themselves set categories). Topics about Bobby Bare songs in general should be placed in relevant topic categories .
"Marie Laveau" is a song written by Shel Silverstein and Baxter Taylor. First recorded by Dr. Hook & The Medicine Show on their 1971 album Doctor Hook, a 1974 live recording by Bobby Bare went to number one for a single week and spent a total of 18 weeks on the country charts.
"(Margie's At) The Lincoln Park Inn" is a song made famous by country music singer Bobby Bare. Written by Tom T. Hall , the song became a major hit for Bare in the spring of 1969, peaking at No. 4 on Billboard magazine 's Hot Country Singles chart.
From his album of the same name, it is a relic of Bare's first stint on the RCA Victor label, widely regarded to be his breakout period in country music. Bare's tender croon lends the song believable longing and regret, while the otherwise simple arrangement ups the drama with countrypolitan 'oohs' and 'ahhs'." [3]