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The Land of Make Believe painting Jaro Hess (born Jaroslav Hes; March 27, 1889 – 1979) was a painter and landscape designer who spent much of his career in Grand Rapids, Michigan . He is best known for his painting The Land of Make Believe , which features 60 images that reference different fairy tales and nursery rhymes.
Alice and Elisabeth Cahen d’Anvers (most commonly referred to as Pink and Blue) is an oil painting by French impressionist Pierre-Auguste Renoir.Produced in Paris in 1881, the painting depicts the sisters Alice and Elisabeth, daughters of Louise Cahen d'Anvers and her husband the Jewish banker Louis Raphaël Cahen d'Anvers.
These two works are the centerpieces of the institution's art collection, which has notable holdings of eighteenth-century British portraiture. The painting is an elegant depiction of Sarah Moulton (1783–1795), who was about eleven years old when painted. Her direct gaze and the loose, energetic brushwork give the portrait a lively immediacy.
In Still Life: Vase with Pink Roses the audience can see Van Gogh's keen awareness of the interplay of color that he acquired over time, especially if one can imagine the original, deeper pink of the roses on the complementary green of the painting for dramatic and emotional effect. The choice of colors, and the manner in which they are painted ...
The painting, and even the frame, are in shades of yellow, ocher and brown. The painting also has highlights in pink, red, green and blue. A fine example of an Impressionist painting, Van Gogh dedicated the painting to his brother Theo for his guidance and introduction to modern art. [27]
Grisaille serving as a design for a political print which was never realized Self-portrait: 1637: Oil on panel: 64 x 49: Wallace Collection, London: 154: The painting originally was larger (c. 75 x 55 cm) and rectangular. The upper corners of the background are digitally reconstructed A Polish Nobleman: 1637: Oil on panel: 96.7 x 66.1
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Musée National d'Art Moderne, Paris 101 x 120.5 1933 Pink Compensation: Musée National d'Art Moderne, Paris 92 x 73 Oil and tempera on canvas 1934 Graceful Ascent: Solomon R. Guggenheim Museum, New York 80.3 x 80.6 1934 Striped: Solomon R. Guggenheim Museum, New York 81 x 100 Oil and sand on canvas 1934 Two Surroundings: Stedelijk Museum ...
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