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NFL Films also produced for Showtime the five-part miniseries Full Color Football: The History of the American Football League, which aired in the fall of 2009 as part of the American Football League 50th anniversary celebration. NFL Films produces an annual highlight film for each team every season, distributed by home video. If a team had a ...
A co-production of ESPN and NFL Films, included in ESPN's 30 for 30 series. Examines how a dominant defense and larger-than-life personalities propelled the 2000 Baltimore Ravens to a Super Bowl win. The film uses a May 2022 reunion of the team's key figures as a framing device. 80 for Brady: 2023 Comedy
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Using deepfake technology and content from the NFL Films archives, reconstructions of Raiders owner Al Davis and NFL commissioner Pete Rozelle tell the story of their contentious rivalry, in particular Davis's desire to move his team from Oakland to Los Angeles despite the league's objections.
Balls Out (2014 film) The Bear (1984 film) The Best of Times (1986 film) Big Fan; The Big Game (1936 film) Black Sunday (1977 film) The Blind Side (film) Bonzo Goes to College; Brian's Song; Brian's Song (2001 film) Brown of Harvard (1926 film)
The 1967 NFL Championship Game between the Dallas Cowboys and Green Bay Packers. Directed and narrated by filmmaker Michael Meredith , son of Dallas quarterback Don Meredith , who spent four years researching more about the game's significance 50 years after it was played.
A Football Life is an American documentary series of 116 episodes, developed by NFL Films and aired on NFL Network that documents the lives of select National Football League (NFL) players, coaches, owners, and teams. Friends, teammates, family members and other players and coaches associated with the subjects are interviewed.
The first full-length film from NFL Films, its visual style helped to define future presentations of the sport on film and TV. [1] [2] In 2012, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. [1] [3] [4]