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Benjamin said that fascism tends towards an aestheticization of politics, in the sense of a spectacle in which it allows the masses to express themselves without seeing their rights recognized, and without affecting the relations of ownership which the proletarian masses aim to eliminate. [2]
Panunzio became the head of the Fascist Faculty of Political Sciences at Perugia University in 1928. Panunzio said that syndicalism is the historical development of Marxism . He pointed to Georges Sorel and Francesco Saverio Merlino as revising Karl Marx to fit the times and emboldening it.
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The theme of the aesthetic justification of existence Nietzsche introduced from his earliest writings, in "The Birth of Tragedy" declaring sublime art as the only metaphysical consolation of existence; and in the context of fascism and Nazism, the Nietzschean aestheticization of politics void of morality and ordered by caste hierarchy in ...
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Aestheticization of politics; Apollonian and Dionysian; Appropriation (art) Art; Art and emotion; Art and morality; Art for art's sake; Art manifesto; Art world; The arts and politics; Artwork title; Auteur; Authenticity (philosophy) Avant-garde; Relationship between avant-garde art and American pop culture
Adorno retraces the historical evolution of art [2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.
Debord also associates this form of spectacle with mixed backward economies and advanced capitalist countries in times of crisis. Every aspect of life, like property, music, and communication is concentrated and is identified with the bureaucratic class. The concentrated spectacle generally identifies itself with a powerful political leader.