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Benjamin said that fascism tends towards an aestheticization of politics, in the sense of a spectacle in which it allows the masses to express themselves without seeing their rights recognized, and without affecting the relations of ownership which the proletarian masses aim to eliminate. [2]
The theme of the aesthetic justification of existence Nietzsche introduced from his earliest writings, in "The Birth of Tragedy" declaring sublime art as the only metaphysical consolation of existence; and in the context of fascism and Nazism, the Nietzschean aestheticization of politics void of morality and ordered by caste hierarchy in ...
Politicisation (also politicization; see English spelling differences) is a concept in political science and theory used to explain how ideas, entities or collections of facts are given a political tone or character, and are consequently assigned to the ideas and strategies of a particular group or party, thus becoming the subject of contestation.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... Aestheticization of politics;
- A Mathematician's Apology - A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful - Abhinavagupta - Aesthetic atrophy - Aesthetic emotions - Aesthetic interpretation - Aesthetic Realism - Aesthetic realism (metaphysics) - Aesthetic relativism - Aestheticism - Aestheticization of politics - Aesthetics - Aesthetics of music - Affect (philosophy) - Albert Hofstadter ...
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Aestheticization of politics; Apollonian and Dionysian; Appropriation (art) Art; Art and emotion; Art and morality; Art for art's sake; Art manifesto; Art world; The arts and politics; Artwork title; Auteur; Authenticity (philosophy) Avant-garde; Relationship between avant-garde art and American pop culture
Adorno retraces the historical evolution of art [2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.