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Psalm 1 is recited to prevent a miscarriage. [17] In the Talmud (Berakhot 10a) it is stated that Psalm 1 and Psalm 2 were counted as one composition and David's favorite as he used the word "ashrei" ("blessed") in the opening phrase of Psalm 1 (ashrei ha′ish) and the closing phrase of Psalm 2 (ashrei kol choso vo). [18]
The Psalms of Asaph (English: / ˈ eɪ. s æ f / Ay-saf; [1] Hebrew: אָסָף ’Āsāp̄, "Gather" [2]) are the twelve psalms numbered as 50 and 73–83 in the Masoretic Text, and as 49 and 72–82 in the Septuagint. They are located in the Book of Psalms in the Hebrew Bible (which is also called the Old Testament).
In addition to the eight psalm tones associated with the eight musical modes, there is a ninth psalm tone called the tonus peregrinus, or "wandering tone", which uses a reciting tone of A for the first part of the psalm verse and a G for the second half.
The other books associated with it were the Lectionary, the Antiphonary, and Responsoriale, and the Hymnary. [1] In Late Modern English, psalter has mostly ceased to refer to the Book of Psalms (as the text of a book of the Bible) and mostly refers to the dedicated physical volumes containing this text.
Psalm 3 belongs to Sidney's Psalmes of David, as David is the subject of many of the Psalms. It is his personal thanksgiving to God for answering the prayer of an afflicted soul. In the King James Bible, the Psalm is introduced as "A Psalm of David, when he fled from Absalom his son". [ 16 ]
[1] The oldest surviving manuscript of the psalm comes from the Dead Sea Scrolls, first discovered in 1947. Significantly, the 5/6 H. ev–Sev4Ps Fragment 11 of Psalm 22 contains the crucial word in the form of what some have suggested may be a third person plural verb, written כארו ("dug").
Other such duplicated portions of psalms are Psalm 108:2–6 = Psalm 57:8–12; Psalm 108:7–14 = Psalm 60:7–14; Psalm 71:1–3 = Psalm 31:2–4. This loss of the original form of some of the psalms is considered by the Catholic Church's Pontifical Biblical Commission (1 May 1910) to have been due to liturgical practices, neglect by copyists ...
Beatus Vir (Gorecki), Opus 38, subtitled Psalm for baritone, large mixed chorus and grand orchestra, is a setting of texts from various psalms by Henryk Górecki from 1979, commissioned by Pope John Paul II. [22] Neither Psalm 1 nor 112 are used, and the title comes from part of Psalm 33.
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