Search results
Results from the WOW.Com Content Network
The Blessed at the gate to heaven with St. Peter (1467–1471) by Hans Memling. Pearly gates is an informal name for the gateway to Heaven according to some Christian denominations. It is inspired by the description of the New Jerusalem in Revelation 21:21: "The twelve gates were twelve pearls, each gate made of a single pearl." [1]
Various people from different classes of society, e.g. kings, popes or martyrs may be present in the picture. In a Trinitarian Pietà, God the Father is often shown wearing a papal dress and a papal tiara, supporting the dead Christ in his arms. They float in heaven with angels who carry the instruments of the Passion. [22]
Lorenzo Ghiberti (UK: / ɡ ɪ ˈ b ɛər t i /, US: / ɡ iː ˈ-/, [1] [2] [3] Italian: [loˈrɛntso ɡiˈbɛrti]; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise.
A volume designed to open vertically would be approximately 47 cm wide by 64 cm high, and would incorporate both the text and the illustration for each canto on a single page. The Berlin drawings and those in the Vatican collection were assembled together, for the first time in centuries, in an exhibition showing all 92 of them in Berlin, Rome ...
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The work is remembered by Renaissance art biographer Giorgio Vasari as property of a Bolognese nobleman, Vincenzo Ercolani. There is trace of payment by him to Raphael for 8 ducats in 1510, but this is generally considered just a down payment, since stylistically the work (inspired for example by Michelangelo's Sistine Chapel ceiling) cannot be dated before 1518.