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The paintings are located in Siena's Palazzo Pubblico—specifically in the Sala dei Nove ("Salon of Nine"), the council hall of the Republic of Siena's nine executive magistrates, [2] elected officials who performed executive functions (and judicial ones in secular matters). The paintings have been construed as being "designed to remind the ...
The Palazzo Pubblico (town hall) is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena 's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). [ 1 ]
The murals in the Palazzo Pubblico were commissioned by the Council of Nine, Siena's ruling body. The murals capture important triumphs in the history of Siena. From the beginning of the 14th century the city council commissioned murals of castles and cities that were conquered by Siena.
The frescoes on the walls of the Room of the Nine (Sala dei Nove) or Room of Peace (Sala della Pace) in Siena's Palazzo Pubblico are one of the masterworks of early Renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic.
It takes up the whole north wall of the Sala del Mappamondo (or Sala del Consiglio) in the Palazzo Pubblico in Siena. It was created from 1312 to 1315 and is considered one of the artist's masterpieces and one of the most important examples of 14th-century Italian art. [1]
In 1406, Taddeo was commissioned to repaint the interior the chapel of the Palazzo Pubblico of Siena, which involved destroying all the existing paintings. Many of his new paintings represent the Life of the Madonna, including the Death of the Virgin in which Jesus descends, takes her hand, and receives her in the form of an infant. [3]
Pages in category "Paintings in the Palazzo Pubblico" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. A.
The beheading of Spurius Cassius Vecellinus, fresco (1532–1535), Palazzo Pubblico, Siena. Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world. Buildings are often transected, and perspectives are awkward.
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