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The stage name Nguyen Anh 9 was given by his first lover. He said in an interview: "This is the name she gave me. When I wrote the first songs, the real name Nguyen Dinh Anh was too long and Nguyen Anh was the name of the Emperor Gia Long. Therefore, she said there were 9 letters in Nguyen Anh and number 9 was a lucky number according to ...
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
Vùng lên! Nhân dân miền Nam anh hùng! Vùng lên! Xông pha vượt qua bão bùng. Thề cứu lấy nước nhà! Thề hy sinh đến cùng! Cầm gươm, ôm súng, xông tới! Vận nước đã đến rồi. Bình minh chiếu khắp nơi. Nguyện xây non nước sáng tươi muôn đời.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
The White Silk Dress (Vietnamese: Áo lụa Hà Đông) is a 2006 Vietnamese war film directed by Luu Huynh starring Truong Ngoc Anh and Nguyen Quoc Khanh. With a budget of over 2 million dollars, it is one of the most expensive Vietnamese films ever made.
The áo bà ba, on the other hand, was invariably made of silk or, until more modern synthetic fibers such as polyester, silk-like material. The áo bà ba may have a miniature accent embroidery but would likely never be of jacquard weaving. Jacquard weaving was associated with the upper class, the aristocracy, and Chinese tradition, for its ...
Two girls in yếm carry goods to sell. A yếm or áo yếm (Vietnamese:, chữ Nôm: 裺 or 襖裺) is a traditional Vietnamese undergarment that was once worn by Vietnamese women across all classes.
Hòn non bộ (chữ Nôm: 𡉕𡽫部) is the Vietnamese art of making miniature landscapes, imitating the scenery of the islands, mountains and surrounding environment as found in nature. It is a particular local development of the Chinese art of penzai , as was bonsai in Japan .