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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Year Movie Songs Music director Note Ref(s) 1956: Tenali Raman: Chittu Pole Mullai Mottuppole: Viswanathan–Ramamoorthy [5]Aadum Kalaiyellam Paruva: Thennavan Thaai Nattu Singaarame
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; ... IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV:
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Maru Malarchi (transl. Revival), also spelled as Marumalarchi, is a 1998 Indian Tamil-language drama film directed by Bharathi and produced by Henry.The film stars Mammootty, Devayani, Ranjith and Mansoor Ali Khan, with Manorama, Kalabhavan Mani, R. Sundarrajan, Major Sundarrajan, Vivek and Pandu playing supporting roles.
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds. [1] Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: [1] the root. Note: Inversion does not change the root. (The third or ...
On the other hand, in the theme of the Arietta movement that concludes his last piano sonata, Piano Sonata No. 32, Op. 111 (1822), Beethoven presents the chord voicing in a much more daring way, with wide gaps between notes, creating compelling sonorities that enhance the meditative character of the music:
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