Search results
Results from the WOW.Com Content Network
"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.
The 1974–1987 lineup of Fleetwood Mac reunited for a performance at Bill Clinton's inauguration on 20 January 1993. [18] Nicks and Burnette left the band shortly thereafter, with Bekka Bramlett and Dave Mason , respectively, replacing the departed members later in the year.
Edward R. Murrow "Murrow Turning Over in His Grave" is the second track on Fleetwood Mac's 2003 album Say You Will.It was written and sung by Lindsey Buckingham. [1] The lyrics to the song are politically charged, with Sal Cinquemani of Slant Magazine labeling the song as "an anti-media tirade". [2]
"Hypnotized" is a song written by Bob Welch.The song originally featured on Fleetwood Mac's 1973 album Mystery to Me.The track was released on a single as the B-side of "For Your Love" and has been described as "gorgeous and lyrically strong", and referred to as the album's best track.
Having briefly gone by the name Epiphany, in mid-2005 they changed their name to Dead Sara as a reference to the Fleetwood Mac song "Sara" and its lyric "...said Sara", which the band misheard as "dead Sara". [5] Both Armstrong and Medley have publicly cited Stevie Nicks, the singer and writer of the song "Sara", as a primary influence. [7]
Medley and Armstrong first performed live in March 2005 at The Mint nightclub in Los Angeles, under the name Epiphany. [2] Later that year they changed their band's name to Dead Sara as a reference to the Fleetwood Mac song "Sara" and its lyric "...said Sara", sometimes heard as "dead Sara". [1]
"Storms" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by vocalist Stevie Nicks, it was one of her five songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac as the final track on disc one. [1]
A chord progression of A5−E5−F♯m−Dmaj7−F♯m−E−Dmaj7 is followed in the verse, D−A in the pre-chorus, and D−E−F♯m−D in the chorus. [7] The track opens with guitar chords before loud drums are played. [8] Harmonized vocals, bass guitar and blurred synthesizers are also parts of the track's arrangement.