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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The original meaning was 'seer', PCelt. *wel-et- ." The word "fili" is thought to derive from the Proto-Celtic *widluios , meaning "seer, one who sees" (attested on the Gaulish inscription from Larzac as "uidluias", which is the feminine genitive singular form), derived ultimately from the verb *widlu- , "to see".
The following are the two main definitions relating to literature found in the Oxford English Dictionary: A fictitious narrative, usually in prose, in which the settings or the events depicted are remote from everyday life, or in which sensational or exciting events or adventures form the central theme; a book, etc., containing such a narrative.
[5] The heroine is usually captured by the hero in an early part of the novel, and then is forced to succumb to his wishes; eventually she falls in love with her captor. On the rarer occasions where the heroine is the pirate, the book often focuses on her struggle to maintain her freedom of choice while living the life of a man.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Aerial declaration of love to Wicky. A declaration of love, also known as a confession of love, is a form of expressing one's love for someone or something. It can be presented in various forms, such as love letters, speeches, or love songs. A love declaration is more often than not explicit and straightforward.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The literal meaning of chāyā carries various interpretations, including shade, such as from a tree or cloud; reflection, like that in a mirror; and shadow, as cast by an object. [ 1 ] [ 2 ] [ 3 ] The term chāyā appears in the Upanishads , where it refers to the universe as a phenomenal reflection of transcendental reality.