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In Europe during the 1930s and the Great Depression, Surrealism, late Cubism, the Bauhaus, De Stijl, Dada, German Expressionism, Symbolist and modernist painting in various guises characterized the art scene in Paris and elsewhere. The 1932 Winter Olympics were hosted by the village of Lake Placid, New York, United States.
During this time, most people believed that the decline was merely a bad recession, worse than the recessions that occurred in 1923 and 1927, but not as bad as the Depression of 1920–1921. Economic forecasters throughout 1930 optimistically predicted an economic rebound come 1931, and felt vindicated by a stock market rally in the spring of 1930.
Art Deco, short for the French Arts décoratifs (lit. ' Decorative Arts '), [1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I), [2] and flourished in the United States and Europe during the 1920s to early 1930s.
In painting, during the 1920s and 1930s and the Great Depression, modernism was defined by Surrealism, late Cubism, Bauhaus, De Stijl, Dada, German Expressionism, and modernist and masterful color painters like Henri Matisse and Pierre Bonnard as well as the abstractions of artists like Piet Mondrian and Wassily Kandinsky which characterized ...
The Federal Art Project was the visual arts arm of Federal Project Number One, a program of the Works Progress Administration, which was intended to provide employment for struggling artists during the Great Depression. Funded under the Emergency Relief Appropriation Act of 1935, it operated from August 29, 1935, until June 30, 1943. It was ...
Rajput painting evolved and flourished during the 18th century, in the royal courts of Rajputana, India. Each Rajput kingdom evolved a distinct style, but with certain common features. Rajput paintings depict a number of themes, events of epics like the Ramayana and the Mahabharata, Krishna's life, beautiful landscapes, and humans.
[4] [5] In an art exhibition that featured 451 paintings commissioned by the PWAP, 30 percent of the artists featured were in their twenties, and 25 percent were first-generation immigrants. [5] The PWAP served as way to employ artists, while having competent representatives of the profession create work for display work in a public setting. [4]
The Ten, also known as The Ten Whitney Dissenters, were a group of New York–based artists active from 1935 to 1940. [1] [a] Expressionist in tendency, the group was founded to gain exposure for its members during the economic difficulty of the Great Depression, and also in response to the popularity of Regionalism which dominated the gallery space its members sought.