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An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.
Approaches or techniques to musical analysis. Assumption and advocating could be considered missing. Musical analysis is the study of musical structure in either compositions or performances. [1] According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2]
In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [1] Retrograde reverses the order of the motif's pitches: what was the first pitch becomes the last, and vice versa. [2]
Retrograde was not mentioned in theoretical treatises prior to 1500. [2] Nicola Vicentino (1555) discussed the difficulty in finding canonic imitation: "At times, the fugue or canon cannot be discovered through the systems mentioned above, either because of the impediment of rests, or because one part is going up while another is going down, or because one part starts at the beginning and the ...
Pep Guardiola has changed the role of the full-back. Former Germany and Bayern Munich defender Philipp Lahm tells BBC Sport why and how it has been done. The evolution of a full-back: Philipp Lahm ...
In music theory, a ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass. [1] The ninth chord and its inversions exist today, or at least they can exist. The pupil will easily find examples in the literature [such as Schoenberg's Verklärte Nacht and Strauss's opera Salome]. It ...
The first one claims that the foundation for musical scales and for the existence of a tonal centre in music can be seen in the physical basis of overtone series or in the psychoacoustic properties of chord in tonal music respectively. But in recent time there is strong evidence for the second point of view that syntax reflects abstract ...
A Wechsel inverted a triad according to the Riemann's theory of dualism, mapping a major triad to a minor triad. For example, Seitenwechsel ("die Seiten wechseln" translates as "to exchange sides") mapped a triad on to its parallel minor or major, transforming C major to C minor and conversely. [ 7 ]