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This included Netotiliztli, which had symbolic, spiritual choreography. Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
Solo dance – a dance danced by an individual dancing alone. Partner dance – dance with just 2 dancers, dancing together. In most partner dances, one, typically a man, is the leader; the other, typically a woman, is the follower. As a rule, they maintain connection with each other. In some dances the connection is loose and called dance ...
The dance drama choreography shares the plays and stories of Vaishnavite Padavalis, that also inspired the major Gaudiya Vaishnava-related performance arts found in Assam and West Bengal. [16] Though the term Manipuri Dance is associated with the Raas Leela, Manipuri dance consists of jagoi, cholom and huyen langlon. [25] [26] [27]
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Apache Crown Dance or Gaan Dance (also called Mountain Spirit, Crown Dance, Devil Dance) is an Apache ceremonial dance that is intended to protect the community from disease and enemies. Dancers became "the embodiment of the Mountain Spirits (the Gaan)"; they wear special masks and wands during the dance.
The monk, dressed in a black robe and a black hat, danced outside the palace until he was allowed to perform in front of the emperor, then assassinated him. [8] It is a dance symbolising the victory of good over evil. [9] The Black Hat dance is a Vajrakilaya dance and is the dance most frequently depicted in paintings. [10]
The dancers usually dance in groups and wear black skirts, and long strings of beads in their necks. The beads are grouped in many different colour categories from red, black and white, a myriad in the body and waist. [citation needed] Hosana is part of the Kalanga culture and not everyone qualifies to be a Hosana dancer.