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Rustication therefore often reverses the patterns of medieval and later vernacular architecture, where roughly dressed wall surfaces often contrast with ashlar quoins and frames to openings. Regular smooth-faced rustication (left) turns to horizontal banded rustication at the corner of Castle Howard in North Yorkshire, England.
The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones.
Core-and-veneer, brick and rubble, wall and rubble, ashlar and rubble, and emplekton all refer to a building technique where two parallel walls are constructed and the core between them is filled with rubble or other infill, creating one thick wall. [1] Originally, and in later poorly constructed walls, the rubble was not consolidated.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Designed by the architect Peter Ellis and built in 1864, it is the world's first building to feature a metal-framed glass curtain wall. 16 Cook Street, Liverpool, 1866. Extensive use is made of floor-to-ceiling glass, enabling light to penetrate deeper into the building, thus maximizing floor space. Glass curtain wall of Bauhaus Dessau, 1926
Positano became a wealthy market port from the 15th to 17th century and has only continued to grow in popularity over time. Back then they traded food such as fish and other resources. [5] Positano was a port of the Amalfi Republic in medieval times, and prospered during the sixteenth and seventeenth centuries. By the mid-nineteenth century ...
Portico and garden. The House of Julia Felix was a combination of indoor and outdoor areas built around atria, courtyards into which the main rooms opened, with enclosed gardens and private water supply; [8] Sections of the praedia allowed for indoor and outdoor seating with frescoes depicting landscapes of leisure and gardens.