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El Rock de Mi Pueblo (transl. The Rock of My Village ) is the eleventh studio album recorded by Colombian singer-songwriter Carlos Vives . It was released on August 31, 2004.
"Una Mujer Como Tú" Released: March 13, 1995 "Será Mejor Que Te Vayas" Released: July 10, 1995 "Himno a La Humildad" Released: Sept 4, 1995 "Por Amor a Mi Pueblo" Released: November 27, 1995 "Si Ya No Te Vuelvo a Ver" Released: January 8, 1996 "Equivocado" Released: February 26, 1996 "Te Amo, Mamá" Released: April 15, 1996
Grupo Yndio is a Mexican band from Hermosillo, Sonora founded in 1972, [1] by some of the members of the dissolute band Los Pulpos.. The band is known for Spanish covers of English-language pop hits, but with a distinctive Grupero style.
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding ...
Y Otra Vez (1992) (Last album on Joey Records) Me Nortie (1993)(First Album On AFG Sigma Records) Amigo Mesero (1994) Tragedias del Pueblo (also released under the title "Censurado") (1995) (Last album on AFG Sigma Records) Me Nacio del Alma (1996) (First album on Fonovisa) U.S. Billboard Top Latin Albums #35; Sangre de Valiente (1997) De Nuevo ...
Metiendo Mano! (transl. "Hard at work!") is the debut studio album by Puerto Rican-American trombonist and singer Willie Colón and Panamanian singer-songwriter Rubén Blades, released on October 7, 1977, through Fania Records. [4]
”Por una vez” ”Diles” ”Te conozco desde siempre” ”Sabes bien” ”Si estoy loca” ”No voy a cambiar” ”A esto le llamas amor” ”Nadie” ”Cómo te olvido” (ft Jerry Rivera) "Que Nadie" (ft Manuel Carraso) ”Blanco y negro” ”Ni un segundo” ”Quién” ”Ahora tú” "Sólo el amor nos salvará (feat. Áleks ...
Mariachi music in 1970s, while still popular in the Regional Mexican music field, was named "the last great decade for mariachi music" according to the Los Angeles Times critic Augustin Gurza. [4] The Mexican farmworkers movement since the 1960s led to the popularity corridos which dealt with their impoverished lives. [ 5 ]