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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Its entry on the Harlem Renaissance, Encyclopædia Britannica describes the play as depicting vice and crime with "vernacular and slang-ridden dialogue". It drew praise from white critics and mixed reactions from African American critics, some of whom lamented its focus on the lower echelons of Harlem society. [ 4 ]
May Miller (January 26, 1899 – February 8, 1995) [1] was an American poet, playwright and educator.Miller, who was African-American, became known as the most widely published female playwright of the Harlem Renaissance and had seven volumes of poetry published during her career as a writer.
Harlem Circles, created by Bennett, were intended to be a place for writers to gather, share ideas, and spark inspiration. Over a period of eight years, some of the most famous Harlem Renaissance figures, such as Wallace Thurman and Langston Hughes met up in these groups and produced significant works as a result. [22]
She contributed more than $100,000 to a number of African-American artists and writers of the Harlem Renaissance, equal to more than $1 million in 2003. This was especially critical during the Great Depression, when foundation support declined. She helped young artists become established.
Anne Bethel Spencer (born Bannister; February 6, 1882 – July 27, 1975) was an American poet, teacher, civil rights activist, librarian, and gardener.She was a prominent figure of the Harlem Renaissance, also known as the New Negro Movement, despite living in Virginia for most of her life, far from the center of the movement in New York.
Harlem Week stands as “the constant line through the last 50 years of America’s most historic Black neighborhood,” said the Rev. Al Sharpton, whose National Action Network is headquartered ...
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
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