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The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory , a branch of film studies .
Linguistic film theory was proposed by Stanley Cavell [1] and it is based on the philosophical tradition begun by late Ludwig Wittgenstein.The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the ...
Noël Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art.Although Carroll is best known for his work in the philosophy of film (he is a proponent of cognitive film theory), he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Murray Smith is a film theorist and philosopher of art based at the University of Kent, where he is Professor of Philosophy, Art, and Film [1] and co-director of the Aesthetics Research Centre. [2] He is the author of three books and numerous articles on film and aesthetics, and the co-editor of three collections of essays. [ 3 ]
David Deamer writes that Deleuze's film philosophy "is neither the site of a privileged discourse by philosophy on film, nor film finding its true home as philosophy. Neither discipline needs the other. Yet together philosophy and film can create […] an atmosphere for thought." [5]
Berys Gaut is an author and Professor of Philosophy at the University of St Andrews. [1] He writes on aesthetics, creativity, philosophy of film, and ethics. [2] He was president of the British Society of Aesthetics until 2018. [3]
Since the late 1980s Currie has published six research monographs; a collection of articles, Arts and Mind (OUP 2004); and nearly 100 research articles on topics in the philosophy of art and the philosophy of mind and cognition. Currie is widely considered to be one of the most influential living Anglophone philosophers of art post-1945.