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Director Shu Lea Cheang's 1994 feature film "Fresh Kill" is scheduled to play at Cine in Athens, Ga. on Thursday, Sept. 19, 2024. Cheang will be in attendance to screen a 35mm print of the film.
The Nikon F-601, otherwise known as the Nikon N6006, is a 35mm single-lens reflex (SLR) film camera that was produced by Nikon starting in 1990. [1] The F601 featured an improved second-generation autofocus system, motor drive for automatic film advance, a built-in pop-up electronic flash, a top shutter speed of 1/2000 of a second, and a new ...
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
Comparing the film area of Super 35 (framed for 2.39) to CinemaScope, standard widescreen and Techniscope. Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track.
A 35mm Kodachrome transparency, like other 35mm transparencies on films of comparable ISO rating, contains an equivalent of approximately 20 megapixels of data in the 24 mm x 36 mm image. [40] Scanning Kodachrome transparencies can be problematic because of the film's tendency to scan with a blue color cast. [33]
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
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