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The song, a continuation of "For the Damaged," is based on Frédéric Chopin's Nocturne in F minor, Op. 55, No. 1, [1] and gained renewed exposure on April 7, 2014 when it was used in Close Rick-counters of the Rick Kind, an episode of the animated television series Rick and Morty, as "Evil Morty's Theme Song", the theme for the character "Evil ...
Still, seven of that song's fourteen chords, including the tonic, are major sevenths or ninths, demonstrating the primacy of that chord type. [6] Pieces which feature prominent major seventh chords include: Tadd Dameron's "Lady Bird", [7] and "This Guy's in Love with You", [8] by Burt Bacharach and Hal David.
"Evil" is a single by the band Earth, Wind & Fire which was issued in June 1973 by Columbia Records. [1] The song peaked at No. 19 on the Billboard Easy Listening chart and No. 25 on the Hot Soul Singles chart.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The melodic minor scale, having two forms, presents a tritone in different locations when ascending and descending (when the scale ascends, the tritone appears between the third and sixth scale degrees and the fourth and seventh scale degrees, and when the scale descends, the tritone appears between the second and sixth scale degrees).
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Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.